About (in)finite
The exhibiton (in)finite presents new works of Girardoni’s ongoing exploration within his series of Light Reactive Organic Sculpture. In a time dominated by pervasive technological interfaces, these works stand as a deliberate counterpoint, embracing the elemental materials of wood, beeswax, and pigment. Through their reductive investigation into the relationship between light and material — of color as matter — these sculptures engage both the physical and the phenomenological.
As organic instruments, these pieces meditate on presence, absence, and the ever-shifting boundaries between materiality and immateriality. They embody a quiet dialogue with the natural world, offering a reflective place and space in stark contrast to the relentless pace of our current cultural condition.
Although Girardoni’s sculptures and installations have expanded to incorporate digital technologies and artificial perception, he remains committed to examining how the spatial orchestration of these organic structures—as instruments of experiential placemaking—engages with themes of sensory perception that resonate across his broader practice. Through these works, Girardoni continues to explore how intersections of light, matter, and perception affirm the fundamental value of tactile, haptic, and unmediated lived experience.